Oct 9, 2014

IT'S TIME to DANCE! project by SOBR


In the end everything is about the music - that was the first idea for the title of this post, as I was going to prepare the post about two different artists connected by the main link: music. Finally, I ended up by dividing them into two independent posts, because the second artist will be interviewed by me soon, but for that, still,  we need more time. 

Back to the artist from today: he's pseudonym is SOBR, or Sobre. Although he is French, his area of creation is pretty wide: Berlin (mostly), French cities like Marseille and Paris, Lisbon, Bucharest, Rome etc... On his website, we can find no information about him, but photos of his works, projects and the place given to it.

Nevertheless... After digging up the internet, I found out, that I wasn't the only one complaining about the lack of information about SOBR. Mogli Oak was also, just finally he did an interview with this artist, so now we can know more. I will quote this interview here, as I find it short yet comprehensive.




SOBR is actually involved in two projects. One called Tekno Painting (Facebook page here) and second one: IT'S TIME to DANCE (FB's page here). The latter is the leading one for the moment and there's plenty of paste-up showing girls while dancing. Why? What was the idea?

In his interview with SOBR Mogli Oak says that: "[...] he likes to party and his work is a reflection of this. He especially likes raves and free parties and he says these “counter-cultural” non controlled parties are what touches him the in our society. He says that “on the dance floor there’s a complete freedom and a real connection between people” and this is what led him to spread the joy of partying to the streets with his It’s Time to Dance Project."






On his FB's page, in the "About" section, there's a phrase: "Du mur d'enceintes aux murs de la cité", which we can translate: "From the speakers' walls on the walls of the city". It explains everything about the idea of his "dancing" street art and importance of the music during the process of its creation.




Very often there's additional element behind these dancing silhouettes. Either yellow tape saying "IT'S TIME TO DANCE" or a rectangle picture, made out of lines and shapes, reminding me a bit a labyrinth, tribal pattern or, finally, the (nowadays omnipresent ) QR Code. SOBR says that it is inspired by the repetitive aspect of the techno music. Like a try of its visual transcryption. 




Quote from the interview: "The pictures he pastes up as part of this project are of people he has photographed at techno raves and parties around Europe. His criteria for subjects is, for one, that they have to show a real love of dancing, but who must also show “grace” whilst doing so. Then it simply comes down to the technical matter of lighting and to whether it is possible to create a stencil from the photograph".



The colours are rather minimalistic, two, maximum three each time, with quite big dose of grey. I guess when the photos are being taken by night in the clubs, during dancing and accompanied by the dim light, we don't see much more than this. 

Obviously, in the end, it's expression of the body that became a main tool of the ubiquitous (in this very moment) music...



Below: a dancing girl with the company of Fred le Chevalier's colleagues.
Let's leave them dancing then...


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